Ambient Dialogue

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Eva while she is working

papered on the wall

Bill while Eva is working

papered on the wall

Music past partition

Eva working on the wall

Anna says the Project

Eva working on the wall

Claire types on the table

Eva working on the wall

Call me on the line

adjusting paper on the wall

Bill with push pins

Eva  working on the wall

Anna says the Project

Eva pushes on the wall

Eva while she is working

papered on the wall

I’m just

coming back

…………………..from Atlantic City

where I lost a bundle

Anna says

Here we are

Intimacies in the Port Authority

Metabolical forces

will connect the dots

with the shadow

force you have going here

either the force was working with me

let the shadow I

want to inform you of something

work with the shadow

second Nostradamus

work the shadow

We are not the same

Movement

We differ

each other

Because today

I decided on the next train

Same dance different

meaning we inflect

each other

We go into

The dance changes

our movement

This same dance

This grammar

we have

photo: © 2009 Jason Riker, Riker Productions

photo: © 2009 Jason Riker, Riker Productions

Strays

dollar in a dance belt

We dress like regular people

for ten more minutes

which is a collaboration

who is up there on the sound

Uncertainty

1.

Back up a little more.  Drop your paper where
it was.  Where you had it before.  What I would do
I would flip it around.  Spread your feet a little
more.  Don’t blink.   Hook your thumb in your
pants.  Don’t blink.  Spread your feet
a little more.  Drop that paper.  Stay right there
don’t blink drop your head drop your paper
a little bit flatter.   Change
your arm position here.  Spread your feet
a little more.  Lean more
towards me.  Lean straight
into me.  Cross your
arms.  Pull down your shirt.  That’s more
chin up, don’t
blink.  Drop the hand with paper down
don’t blink.  Try the head
the other way a little.  Drop your chin
spread your feet a little
more.  Lean over your shoulder towards
me a little bit.  Tilt your head
that way now.
Turn the other way and
try.  Let the paper hang straight
down.  Come back straight back
around.  Don’t move
grab the paper.   We can’t read it.  Fix your shirt tilt
head a little more apart.  Don’t
blink.  Chin up a little.  I need to find
something this camera wants to focus on.

photo: © 2009 Bill Hayward

photo: © 2009 Bill Hayward

2.

I’ve got gray, black, and white.
I’m on the top center point
close to the skin and the gray.
Move your hand.
Head straight up and down, chin up
a touch.  Move your hand, let me
see a little finger.  Break at the waist
towards me.  Now
hold it, head
tilted.  Relax a second looking
at the camera.  Or
the paper wrapped around
her leg.  Flat like that.  Ninety
degrees.  That looks a little too
opposite.  You can barely
read what’s written.
[…]


_MG_0355 1

“I was trying to feel uncertain.”

Pull your hair back a little bit.

Back up just a hair.

Chin up a touch.

It’s not a smile word

Whoops    focus    there

we go    What’s that

questioning here

I was trying to feel

uncertain maybe I was

trying too……………

you’ve gotta sort of look

away    you don’t want to

make it blast out    wrong mood

people always when they’re defensive

cover their chest    back a little more

drop your paper

where it was    don’t blink

hook your thumb

crossing your

yeah

spread your feet a little more

on the side though

quite read enough of it

change your arm

position again

straight into me

profile……

crush your arms

that’s more natural

don’t blink

drop the hand

no don’t drop it

nice

looking at me

come back

with your face to me

lean over your shoulder

toward me

let the paper hang straight

I have an idea

behind your leg a little

go over and grab the paper

so we can read it

now fix your shirt

focus yep

yep

yep

nice

don’t blink

I need to find

something

this camera can

focus………

top center point

skin and the gray

try your arm up

like that    let’s try

a couple like these

let me……………………..

see a little more finger

ok relax a second    what’s

your idea    more of a portrait

or you would have

it wasn’t really a

paper wrapped around

her leg too obvious

here’s my sign

you can barely read

can I see what you’re looking for

photo: © 2009 Bill Hayward

photo: © 2009 Bill Hayward

Uncertainty

Pull your shirt down.  Chin up.  Cock your head to one side

or another.  Come around a little.  Shirt down.  Hand on

your hips.  Do you have pockets.  Drop that hand

down.  Walk around a second loosen

up.  It’s not a smile word.  It’s not serious

or matter-of-fact.  What’s that.  More

matter-of-fact again.  Chin up

a hair again.  It’s all about questioning

here.  Let me try to act like I feel it.

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